ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

POLITICS: HOW FAR WILL THEY GO WITH HATE?

Humra Quraishi condemns the targeted communal attacks on Muslims taking place repeatedly, and also introduces Sahar Zaman&rsqu...

THOUGHT FACTORY: WHO’S BEEN SLEEPING IN MY BED??

Monojit Lahiri investigates how deep is deep in extra-marital journeys, in reel and real life.

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NEED FOR EQUITABLE GENDER REPRESENTATION IN HINDI CINEMA

A new research report by the School of Media and Cultural Studies at the Tata Institute of Social Sciences, Mumbai, reveals that on-and-off-scr...

THE CURIOUS CASE OF BOLLYWOOD AND POLITICS

One’s been listening to viewers of The Kerala Story. The common refrain is, “Ye picture dekh kar Musalmano se darr lag raha hai! (A...

Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

Our Godpapas

Khalid Mohamed takes stock of the ongoing influence of Francis Ford Coppola’s mafia don classic, The Godfather, on India...

MYTHWOMAN

Move over Amish. With the innovatively titled ‘Sati Series’, Koral Dasgupta is providing a much-welcome lens through which to look ...

The Flashback Experiment

Film historian Dhruv Somani revisits Cinema Cinema, the 1979 underappreciated documentary by Krishna Shah and Shahab Ahmed, on...